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Featured Poems

From Mythic Delirium, Issue 20, Winter/Spring 2009

Genesis

Holly Dworken Cooley

Illustration by Daniel Trout.

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I

This is the moment we wait for.
This is the day of the first crayon.
Today we draw the animals in red wiry lines.
On the second day we draw red hearts on their chests.
They are humans getting ready to be born.
In order to ready them for their lives,
we spit on their eyes to give them sight,
we blow in their mouths to give them breath,
and we tickle their genitals to give them sex.
They must decide how to live.

 

II

The third, fourth, and even the fifth day
we spend filling in the rest of the picture
so that nothing is missing.
We think of everything.
Under trees that touch the sky we draw
birds to fly and make the people jealous,
insects to taunt them, bite and pinch, and
giant mammals to devil their dreams,
mushrooms to make them see beyond themselves.
They will not begin to think before we leave.
They will not remember us.

 

III

On the sixth day we pause to feast,
dedicating their weakest to our hunger.
By then we have bled
all the crayons dry, anyway.
We are full of belching and indigestion
and swallow Alka-Seltzer by the bucketful.
On the seventh day, though, we are all well again.
We prepare to rub ourselves out of the picture,
but we leave behind the sacrificial pyres.
If they light them,
the flames will color the sky
like red crayon drawings in the night.

 

IV

Of course, we’ve followed the manual’s instructions
on making new existence seem worthwhile.
So we’ve left hints for them to build a god from —
crayon wrappers with rules for living
to be found on top of a mountain,
one gold goblet from our feast
at the table with 12 chairs, and
two sticks of wood awkwardly crossed
with a few nails punched in.
Crude, of course, but we’re only students
and this is, after all, our first attempt.


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A Mythic Delirium Classic

From Mythic Delirium, Issue 6, Winter/Spring 2002.

Werechihuahua

Ian Watson

Illustration by Bob Snare.

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He’s fierce for six inches high
Is Werechihuahua.
After changing at dusk
Scampering after his prey
He often sank teeth into ankles
Hoping a victim might fall
Exposing throat to tiny teeth.
Now people don high boots
Whenever they hear the yap
Of Werechihuahua.

Small wonder he’s fierce
— At least in his heart —
For the Aztecs bred him
And worshipped him
And they tore the hearts
Out of prisoners-of-war.

Noble families might house
A thousand Chihuahuas
Each with its own personal slave.
Imagine a thousand Chihuahuas,
Like canine piranhas reducing
Their prey to a scatter of bones
In five minutes or say half an hour.

When he retransforms at dawn
He’s that funny little bootmaker
Tapping away at his bench
Coining silver from all the demand
For boots knee-high at least.

In fact not all of him
Turns into a crazed Chihuahua,
Merely the mass of his foot.
So when suspicious citizens
Peer through his window
They see that he’s still abed
And never notice how the blanket
Near the end falls rather flat.

But I’ve spied a tiny pet dog
Burrow under the sheet
At sunrise — and why by day
Is it never about in his shop?

Illustration by Bob Snare.

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“Genesis” first appeared in Mythic Delirium, Issue 20, Winter/Spring 2009. “Genesis” copyright © 2009 by Holly Dworken Cooley. Illustration by Daniel Trout, copyright © 2009. Voice recording by Kate Baker, © 2009; all rights reserved. “Werechihuahua” first appeared in Mythic Delirium, Issue 6, Winter/Spring 2002. “Werechihuahua” copyright © 2002 by Ian Watson. Accompanying illustrations by Bob Snare, copyright © 2002. Voice recording (in the original language) by Ian Watson, © 2009; all rights reserved. These poems and illustrations may not be reproduced in any form without the authors’ and artists’ express written permission.

Previous classic and featured poems by:

Amal El-Mohtar and Jessica Paige Wick
David C. Kopaska-Merkel and Gene van Troyer
Jeannine Hall Gailey and Charlee Jacob
Theodora Goss and Sonya Taaffe
Samantha Henderson and Ann K. Schwader
Catherynne M. Valente and Anna Tambour

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