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From Mythic Delirium, Issue 19, Summer/Fall 2008

Song for an Ancient City

Amal El-Mohtar

Photograph by Amal El-Mohtar.

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Merchant, keep your attar of roses,
your ambers, your oud,
your myrrh and sandalwood. I need
nothing but this dust
palmed in my hand’s cup
like a coin, like a mustard seed,
like a rusted key.
I need
no more than this, this earth
that isn’t earth, but breath,
the exhalation of a living city, the song
of a flute-boned woman,
air and marrow on her lips. This dust,
shaken from a drum, a door opening, a girl’s heel
on stone steps, this dust
like powdered cinnamon, I would wear
as other girls wear jasmine and lilies,
that a child with seafoam eyes
and dusky skin might cry, there
goes a girl with seven thousand years
at the hollow of her throat, there
goes a girl who opens her mouth to pour
caravans, mamelukes, a mongolian horde
from lips that know less of roses
than of temples in the rising sun!

Damascus, Dimashq
is a song I sing to myself. I would find
where she keeps her mouth, meet it with mine,
press my hand against her palm
and see if our fingers match. She
is the sound, the feel
of coins shaken in a cup, of dice,
the alabaster clap of knight claiming rook,
of kings castling — she is the clamour
of tambourines and dirbakki,
nays sighing, qanouns musing, the complaint
of you merchants with spice-lined hands,
and there is dust in her laughter.

I would drink it, dry my tongue
with this noise, these narrow streets,
until she is a parched pain in my throat, a thorned rose
growing outwards from my belly’s pit, aching fragrance
into my lungs. I need no other. I
would spill attar from my eyes,
mix her dust with my salt,
steep my fingers in her stone
and raise them to my lips.

Photograph by Amal El-Mohtar.

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From Mythic Delirium, Issue 19, Summer/Fall 2008

To the River

Jessica Paige Wick

Detail from 'Ophelia' by John Everett Millais.

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for CSE Cooney

He said come to the river,
the wet, wild water that is black as a mirror
with nothing to show.
He said come to the river,
the dirt-dank river, by the dew-spangled banks
of the murmur and flow.
He said come to the river.
And I came to the river.
I came to the river, with a ribbon in my hair,
with a tune on my tongue,
with a name that he gave,
with my red shoes tied,
with my milk and my bread,
with a stone in my pocket,
with my heart, not my head,
with my knee-socks high,
and my bed unmade.
He said take your red shoes off,
leave your buttons undone.
And he kissed me by the river
until there was blood.
And the river took my ribbon,
which fled the current like a snake.
And the river took my tongue,
and the river took my name.
He took from me the tune I knew;
And the river made my bed.
He said come to the river,
the wet, wild water that is cold as a hand
with no blood to warm.
So I came to the river,
and I stay by the river, by the silt-silked shore,
by the stone that I slipped on,
by the fern-beds so dark,
by the buried red shoe,
by the salt stain I made,
near the road that I left
that leads to my bed.
And I know I am dead but I still cannot rest.
And I'm hideous and hair-thatched
because I must be trash
for him to throw me to the river
like a used cigarette.
Fish have skimmed flesh from my jaw;
they've nibbled with sharp teeth.
My finger-bones lie tangled, far
away from here, my ankle bones
are further still, my smashed hips
are the dirt . . .
He said come to the river
so I stay by the river, by the sopping wet earth,
yes, come to the river, boys,
with no ferns in your hair,
come to the river, please,
and warm my bed.

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“Song for an Ancient City” first appeared in Mythic Delirium, Issue 19, Summer/Fall 2008. “Song for an Ancient City” copyright © 2008 by Amal El-Mohtar. Photographs by Amal El-Mohtar, copyright © 2008. Voice recording by Amal El-Mohtar, © 2009; all rights reserved. “To the River” first appeared in Mythic Delirium, Issue 19, Summer/Fall 2008. “To the River” copyright © 2008 by Jessica Paige Wick. Illustration, detail from 'Ophelia' by John Everett Millais, c. 1851-2. Voice recording by Jessica Paige Wick; 2008; all rights reserved. These poems and photographs may not be reproduced in any form without the authors’ express written permission.

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David C. Kopaska-Merkel and Gene van Troyer
Jeannine Hall Gailey and Charlee Jacob
Theodora Goss and Sonya Taaffe
Samantha Henderson and Ann K. Schwader
Catherynne M. Valente and Anna Tambour

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