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A Mythic Delirium Classic

From Mythic Delirium, Issue 8, Winter/Spring 2003

Octavia is Lost in the Hall of Masks

Theodora Goss

Video by Anita Allen, recorded at ReaderCon 18, July 2007.

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        The Mask of Inquiry asks: Why are you here, Octavia? The linens have been spread for the wedding feast. The glasses have been filled with yellow wine. A roasted pig lies in its bed of parsley, squabs lift their legs in paper caps between turnips carved to resemble roses. The wedding guests are waiting to toast the bride.

        The Mask of Elegance says: The Duke sits beside an empty chair. There is a collar of Flanders lace beneath his receding chin, there is a boot of Spanish leather on his club foot. A ring of gold and onyx has slipped from his finger. His chin has dropped and his lips are slightly parted, as though to ask a question. Surely he is asking where you are, Octavia.

        The Mask of Confusion says: A fly wanders over the breast of a Countess, and she does not brush it away. The page boys lie with their legs tangled, like lovers.

        The Mask of Propriety says: There is blood on the hem of your petticoat, which ought to be as white as snow, as bone, as virginity. There is blood on the hem of your dress, and blood on the seed pearls sown in an arabesque across your train. There is blood beneath the fingernails of your right hand.

        The Mask of Flattery says: You are beautiful tonight, Octavia. Your hair, piled on your head in ringlets, shines like a nest of little black snakes. Your eyes are the color of rusted coins, your neck the color of old ivory.

        The Mask of Skepticism says: Yes, you are beautiful, like something dead.

        The Mask of Nostalgia says: Ivy grows over the walls of your father’s castle, leaves rustling where sparrows have made their nests. Bubbles appear on the surface of the moat, and you wonder what lies beneath the lily flowers. You dip your toes into the green water. A trout rises to the surface, flashing its dark iridescence, and then sinks again. In the distance, cowbells chime, low and irregular.
        The moon rises.
        Your shifts are laid in chests scented with lavender. Your bed is spread with sheets of ironed linen edged with lace. They are marked with a red spot from the first time blood ran between your legs.
        The moon is touching the tops of the chestnut trees. You enter the grotto where you first lay down for the gamekeeper’s boy.

        The Mask of Seduction says: The thief is waiting for you in the forest. His lips are thick and the backs of his hands are covered with black hair. His grip will bruise your wrist, his filth will rub off on your body.

        The Mask of Longing says: He will tickle the insides of your thighs with a knife.

        The Mask of Perception says: The thief with eyes like the backs of mirrors was once the gamekeeper’s boy.

        The Mask of Accusation says: You have poisoned the wine, Octavia. You have poured a white powder into the glasses. The wedding guests have drunk in careful sips. How silently they sit, how very still.
        You have stabbed the Duke, and licked the knife you stabbed him with. You have spit blood and saliva on his cheek. It runs down and stains his collar with a spot of red.

        The Mask of Consequences says: The knife is still in your hand, Octavia. Put it to your wrist, peel back the skin as you would peel a damson plum.

        The Mask of Fragmentation says: Your wrists are streaming away in red ribbons. Your dress falls like confetti. Your corset disintegrates, and moths of white silk flutter through the corridors. Your waist cracks, your torso crashes on the floor. Your hair writhes like little black snakes, then crawls into hidden corners. Your nose breaks, like the nose of an Attic statue. A breeze blows away your left ear.
        Only your mouth remains. It parts and attempts to speak without teeth or palate or tongue, saying nothing, not even stirring the air.

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Illustration courtesy of Daniel Trout.

 

A Mythic Delirium Classic

From Issue 5, Summer/Fall 2001

Turn of the Century, Jack-in-the-Green

Sonya Taaffe

Video by Anita Allen, recorded at ReaderCon 18, July 2007.

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Hard to love a Green Man
in these times: not the October dying,
not the gathered harvest, sinking
sun and yellowing grass, sere season
before the snow; those are little deaths,
and common. The everyday kills him.
His ivy hair crisps and turns brittle
to the touch of my hand, brown
spiky garland about his ears. Outdoors
he wears a hat and moans
that the sun does not stir his flesh.
His skin has the pungency
of leaf-mold and broken-twig sap,
grapes in the crushing and the underside
of a loamy crumble of bark;
the clerk at the video store
wrinkles his nose and indicates the CVS
across the street. I fear for him:
that he grows torpid, wintry and
comatose, a hothouse seedling
teased into midwinter flower.
He flinches when he sees
potted windowsill plants, glossy,
docile, gentled. His brown hands
catch on my skin. His eyes are green,
wood-drowned, chlorophyll-soaked,
stung by fluorescent light. Sneakers
chafe his feet, pavement rebuffs
the pliant taproots of his toes.
He is dying. His kisses
are the inner coils of a fiddlehead
and begin to taste like the dry snap
of a bloodless fallen branch.
The jagged holly spread of his fingers
grows stiff, spiny,
and the texture of his skin
withers into fallen leaves.
He will always die. But I worry:
in the spring, when rain runs down
the thousand glass panels
of the buildings downtown
and the streets fill with sand
and salt slush, when the stunted trees
on the corners break into pallid bud
and perhaps the sky is rinsed clear
for the equinox, when the balance
of the seasons tilts toward the sun again,
my green man, my Jack,
whose browning eyes seek out the sun,
whose bones curl verdant into vine
and springing leaf, will he remember
in his earthy grave beneath the asphalt,
will he rise up from the concrete soil,
in this electric world, will he return?

this is here to make the spacing work
Illustration by Daniel Trout.

“Octavia is Lost in the Hall of Masks” first appeared in Mythic Delirium, Issue 8, Winter/Spring 2003. “Octavia is Lost in the Hall of Masks” copyright © 2003 by Theodora Goss. Video recording by Anita Allen, © 2007; all rights reserved. “Turn of the Century, Jack-in-the-Green” first appeared in Mythic Delirium, Issue 5, Summer/Fall 2001. “Turn of the Century, Jack-in-the-Green” copyright © 2001 by Sonya Taaffe. Video recording by Anita Allen, © 2007; all rights reserved. Illustrations by Daniel Trout, copyright © 2001, 2003, 2007. These poems and illustrations may not be reproduced in any form without the authors’ or artist’s express written permission.

Previous classic and featured poems by:

Samantha Henderson and Ann K. Schwader
Catherynne M. Valente and Anna Tambour

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